after Deakin, 1952 (David Archer)
80 x 80, acrylic on canvas, 1998-9
after Deakin, 1952 (Rayner Heppenstall)
80 x 80, acrylic on canvas, 1998
after Deakin, 1957 (Oliver Bernard)
80 x 80, acrylic on canvas, 1998
The Devolving Image (after Stieglitz, 1931 / Dorothy Norman)
24 x 24, acrylic/oil on MDF, 1997
The Disingenuous Document (after Man Ray, 1931 / untitled)
24 x 24, acrylic/oil on MDF, 1997
A Confusion of Fact with Metaphor (Neva, 1997)
24 x 24, acrylic/oil on MDF, 1997
The Photography Problem / Is Art Really Photography?
(after Atget, 1902 / Versailles, Park)
24 x 24, acrylic on MDF, 1997
The Photography Problem / Is Art Really Photography?
(after Modotti, 1924 / El Manito)
24 x 24, acrylic on MDF, 1997
Meaning in Photography / Any Thought Attaches to Any Image
(after Man Ray, 1934 / Mask)
24 x 24, acrylic on MDF, 1996
PREVENTIVE memory / image consumes medium
(after Atget, 1913 / Fortifications, porte de Sevres)
24 x 24, acrylic on MDF, 1996
The RHETORICAL image / fact but fiction
(after Atget, 1913 / Bercy, la halle aux vins)
24 x 24, acrylic on MDF, 1996
The IMAGINED memory / failure of criticism
(after Atget, nd / Jardin de l'ambassade d'Autriche, Hotel Matignon, 57 rue de Varenne)
24 x 24, acrylic on MDF, 1996
ETHEREAL material / saturated and coerced
(after Atget, 1926 / Place de la Concorde)
24 x 24, acrylic on MDF, 1996
pathological DOCUMENT (after Atget, 1924 / Place des Vosges)
16 x 16, acrylic on MDF, 1995
ANY thought ANY image (after Atget, 1902 / Quai Voltaire)
16 x 16, acrylic on MDF, 1995
ABSTRACTIVE transparency (after Atget, 1913 / Fortifications, porte de Versailles)
16 x 16, acrylic on MDF, 1995
ABSTRACTIVE transparency (after Atget, 1901 / Porte de l’Hotel de Ville)
16 x 16, acrylic on MDF, 1995
The Devolving Image, red (after Steichen, 1906 / Balzac, The Open Sky)
30 x 30, acrylic on MDF, 1995
The Disingenuous Document (after Weston, 1925 / Tina, Mexico)
30 x 30, acrylic on MDF, 1995
the Sublime / the Exquisitely Boring (after W. Eugene Smith, 1958 / New York City)
30 x 30, acrylic on MDF, 1995
Meaning in Photography / a Pathology of Images. Man Ray, 1922 / Alice Prin as Kiki de Montparnasse
48 x 24, acrylic on MDF, 1996
WHAT HAS HAPPENED HERE (Neva, 1997)
48 x 48, oil and acrylic on canvas, 1997